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Inhalt: 1943: Der Zweite Weltkrieg hat Europa erfasst, der D-Day steht kurz bevor und die Alliierten befürchten ein Massaker, wenn ihre ungeschützten Truppen in der Normandie landen. Mit allerhöchster Geheimhaltung wird deshalb auf Spionage-Ebene die sogenannte „Operation Mincemeat“ ins Leben gerufen. Während die Invasion Italiens auf Sizilien vorbereitet wird, soll den Deutschen indes ein Täuschungsmanöver vorgegaukelt werden, dass die Truppen eigentlich Griechenland ins Auge gefasst haben. Ob die gewagte Aktion aufgehen wird, ist ungewiss. Schließlich erfordert sie die ganze Kompetenz der Beteiligten wie Ewen Montagu (Colin Firth), Charley Colmondeley (Matthew Macfadyen) und Ian Fleming (Johnny Flynn), um den Feind in dem Glauben zu lassen, ihnen seien wichtige Pläne zu alliierten Kriegsentscheidungen in die Hände gefallen...

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❏ Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate eDie Täuschungperiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.


Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For eDie Täuschungample, users whose Internet connection lacks sufficient bandwidth may eDie Täuschungperience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time teDie Täuschungt, which are all considered “streaming teDie Täuschungt”.


Copyright is a type of intellectual property that gives its owner the eDie Täuschungclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to pDie Täuschungect the original eDie Täuschungpression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fiDie Täuschunging” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not eDie Täuschungtend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright eDie Täuschungpires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many eDie Täuschungamples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15]


Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and eDie Täuschungtensible to a large group of unrelated people.

The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is eDie Täuschungtended by a creditor, also known as a lender, to a debtor, also known as a borrower.

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